Sepinwall: Let's go back to the genesis for a minute. I know you've said that the pitch was "'The Karate Kid' without the karate'...Interview worth reading.
Schwartz: Or "'Fresh Prince of Bel Air' minus the wacky graffiti," take your pick. The genesis of it was, I had gone in for a general meeting at McG's company when Stephanie Savage was still working for his company, now she's a full-time producer on the show. We started talking and she mentioned Orange County as sort of a world, and she said they were open to any take. One of the suggestions was, "What about extreme sports cops, '21 Jump Street'-style?" I said, "Let me come back to you with characters." I didn't know extreme sports or cops, but I had gone to USC, been around these Newport kids, being a Jewish kid from Rhode Island, and being around all those Orange County kids, I felt extremely Jewish and extremely 5'9" and not buoyant in water. But I also knew it was really a seductive place and would have loved to have dated one of those girls.
I am very much a product of my pop culture influences, and so is Stephanie, so we were going to have one toe in the 80s teen movies of my youth and also a nod to all the "Rebel Without A Cause" and Douglas Sirk '50s melodramas as well. Aside from pop culture references, we wanted it grounded in a real family that was the only normal haven in this world. The wish-fulfillment of the show wasn't being given the keys to the kingdom, but was being adopted by this family that anyone would want to be a part of.
Thursday, February 22, 2007
What's Alan Watching?: The O.C.: Josh says goodbye
CALIFORNIA, HERE WE COME, RIGHT BACK WHERE WE STARTED FROM: The O.C. wraps up tonight, and Alan Sepinwall talked to creator Josh Schwartz about it:
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