WHY DON'T WE GET THINGS STARTED?  The Muppets currently stands at 100% on the Rotten Tomatometer, 28/28 including a rave in the NYT, and this reaction from Scott Weinberg:

Never did I expect that the Muppets would earn a comeback as warm and wonderful as this one. The seventh feature film from the immortal Jim Henson creations, The Muppets is, quite simply, everything a lifelong Muppet maniac would want in a new movie. It's sly and sweet, kooky and clever, warm and witty, silly for kids and subversive for grown-ups. It offers a refreshingly earnest "let's put on a show with some great old friends" attitude, it pokes fun at the Muppets' present state of pop culture limbo, and best of all: it knows why a man approaching 40 would be interested in a new Muppets movie -- and it delivers the old-school goods with a remarkable sense of craft and confidence. This is not a Muppets for a new generation; it's the Muppets as cool as they always have been; it's the younger generation that needs to catch up.

Scott Mendelson looks at the tracking numbers: "93% of kids under 12 are aware of The Muppets, only 39% of that group expressed 'definite interest' in seeing them return to the big screen. Translation - 54% of said demographic is comprised of spoiled, good-for-nothing little shits who don't know how good they have it. Fortunately, these kids are too young to make consensual decisions about movie-going, so use your parenting authority to drag their butts to a theater this weekend, under the threat of Safe Surrender if need be."

COULD IT BE ... SATAN?  Remember how just last week we got into a discussion of the role (and overuse) of recurring characters on SNL? NYMag has undertaken a comprehensive analysis of the topic, ranking all seasons based on the percentage of sketches relying on recurring characters** as well as slideshowing the twenty-five most repeated characters in show history -- and, guess what: Trebek and Connery do not make the cut.  (Well, Trebek should have.)

The one on that list I never really got?  Nora Dunn's Pat Stevens. What was the point?

** Excluding political impressions.

Added, Related: Splitsider's Five Rules for what makes a recurring sketch work.

OUTRAGEOUS!  It seems a bit beside the point to criticize the American Music Awards for crass commercialism. The show exists, of course, only because Dick Clark saw a marketing opportunity in 1973 and is, literally, a popularity contest.

Apparently, however, Jennifer Lopez may have hit a new low last night in brazen shilling, disappearing during her lipsynched musical performance reemerge next to the car she's currently promoting. The University of Pennsylvania's John Legend tweeted that "That had to be the most shameless thing I’ve ever seen in a performance. I was genuinely shocked," and Questlove concurred: "Yo. I know I didn’t just see that dumb Fiat. I KNOW I didn’t just see that friggin’ Fiat."  Here's the video.

[Also, party people were in the house last night, and they and David Hasselhoff had a good time.]

BEATS HAPPENING:  The NYT explains how Dr. Dre's headphone company became so popular.

"THINGS ARE STARTING TO HEAT UP DOWN ON E STREET": Bruce Springsteen has promised a new album and a world tour for himself and the band in 2012, the first without Clarence Clemons.

WHITMAN SAMPLER:  So I've been watching AMC's Sunday morning rebroadcast of Mad Men over the past few months (for those not following along, we just again shut the door and had a seat), and I couldn't help but wonder if this reaction is shared by others: the Don Draper flashbacks are, generally, a showy waste of time which don't illuminate all that much.

I recognize that when you have a character as deceptive and un-sharing as Don Draper, flashbacks may be the only way to unpeel that particular onion--certainly, I'll concede, it's better than hearing him voiceover a journal entry. And of course, I'll concede the scene at the train station when Dick/Don pulls out of town for the last time and his brother catches a glimpse of him.  On the whole, though, I'm a fan of show-don't-tell, and the storytelling in the flashbacks (especially when you see the episodes all stacked up like this) feels a bit lazy and indulgent compared to the remarkable things this show can do.

PRIEST SHOULD HAVE SAID "YOU CAN NOW BITE THE BRIDE":  My friend Baratunde Thurston livetweeted his reactions while watching the sparkly vampire movie.