Saturday, May 22, 2010

HEY, HEY, DON'T YOU WALK AWAY FROM ME. YOU DON'T KNOW WHO YOU'RE DEALING WITH. DON'T EVER TELL ME WHAT I CAN'T DO, EVER. THIS IS DESTINY. THIS IS DESTINY. THIS IS MY DESTINY. I'M SUPPOSED TO DO THIS, DAMMIT. DON'T TELL ME WHAT I CAN'T DO. DON'T TELL ME WHAT I CAN'T... Unlike ER, The West Wing and The Sopranos, we haven't endeavored to do full team retrospective coverage of Lost in anticipation of the finale with all sorts of lists the way we've done before. For me, at least, the nature of the mystery-filled plot makes me feel like I can't fully evaluated the show's greatness until it's all over and (mostly?) explained, until it's clear how much of this was conceived as a whole piece (or at least skillfully retrofitted with the early clues) as opposed to a jerry-built mishmosh for which some of the pieces never truly fit. (Hurleybird, anyone?)

That said, when you take a look at this list of top 50 unanswered questions from the end of season two or this list of 100 from April 2009, I'm actually pretty confident that remaining questions worth answering will largely be resolved, and that Damon and Carlton will take care of the audience in the end. Maybe even WAAAALLLLT! too.

As you prepare for tomorrow night's finale -- and do review Isaac's 2005, 2006, 2009 and 2010 summaries when you have a moment -- how about we just delight in listing all the little things about this show which have entertained us, moved us, surprised us or made us smile since Jack Shephard woke up in a field of bamboo. I'll start with a few:
  • Dharma sharks
  • The Pierre Chang orientation videos
  • "The Constant" and "The Variable"
  • The reveal at the end of "Walkabout"
  • "Kate, you're not my type."
  • Not Penny's Boat
  • "Dude, you've got some ... Arzt ... on you."
Your turn.

added: Before this season started, we opened a Final Season Prediction Pool, with questions ranging from "Who are Adam and Eve?" to whether the Kwons or Humes would live happily ever after to identifying three characters who would die this season -- and a lot of you named Sayid. Your answers are compiled here.

Friday, May 21, 2010

MY LITTLE PONY GONE BAD: In things nearly as disturbing as the London Olympic Mascots, I give you 55 Bad Unicorn Tattoos. (HT: Jezebel)
GOT A POCKETFUL OF QUARTERS:As Google's (playable!) logo reminds us today, it's the 30th anniversary of Pac-Man. Let's remember with Buckner and Garcia.
IF WE DON'T GET SATISFACTORY ANSWERS IT WILL BE DAMON AND CARLTON'S FAAAAAAAAAUUUUUUUUUUUUULT: One thing that frustrates me about the end of Lost is a key mystery that I doubt will be resolved yet isn't on the level of mere trivia: What is so special about Walt Lloyd?
MS. KLUGH: How old was he when he started speaking?

MICHAEL: I, he...

MS. KLUGH: Did he have any illnesses growing up? Headaches? Fainting spells?

MICHAEL: What? No! I don't -- I wasn't there. He was half way around the world. Why are you asking me all these questions?

MS. KLUGH: Did Walt ever appear in a place he wasn't supposed to be? You say he was half way around the world -- did you see him?
However mythic and sci-fi the island itself and the phenomena on it are, the people on it are recognizably human with two exceptions: Desmond, with his time flashes and imperviousness to electromagnetic radiation, and Walt, who can do this:



We are told that Jacob wanted him on the island. We see him luring an Australian bronze cuckoo to its death. We know that he's the one the Others wanted to take from the raft:
MR. FRIENDLY: Just sit down, Jack. Nobody's going to hurt you. I come in peace.

LOCKE: How do you know our names? [Mr. Friendly just smiles.]

JACK: You took Walt.

MR. FRIENDLY: Walt's fine. He's a very special boy.
But why? Why did Walt seem to understand the island so soon? Why did he warn Locke about opening the hatch before Walt knew it existed? Why did he appear to both Locke and Shannon as a vision? What is the nature of his gift? Of all the unanswered questions, it is the disappearance of Walt from the final story which frustrates me the most. Clearly, there was at one point a plan for Walt, but it certainly seems to have been abandoned. A nudge towards an answer to all this is something I'd like Sunday night to complete the series.

The thing is, we're going to have to take the boy.

Thursday, May 20, 2010

MEKKA LEKKA HI, MEKKA CHANY HO: The live Pee Wee's Playhouse revival is coming to Broadway this fall.
UP OR DOWN, IN OR OUT: There've been times that Grey's Anatomy has worked spectacularly well, and there've been times when it hasn't. Tonight's finale was decidedly the former, despite one moment that violated the "show, don't tell" principle (which I'll talk about in the comments). And Ron Butterfield and Graham Chase in the same episode is always going to be appreciated in these parts. There's much to discuss, but out of courtesy to those on the West Coast and those who are watching on DVR, let's keep it in this thread rather than the earlier thread, OK?

ETA: Shonda speaks (at much greater length than she does in our comments), including discussion of the first draft of the script, in which another character got shot, and a brief description of 18 minutes that were apparently cut and will appear on the DVD.
HARD DRIVER OVERLOAD: Now that all 5 networks have announced (the CW's schedule is boring, aside from the happy news that they're moving Life Unexpected to Tuesdays at 9, where, at least in the fall, the only other non-reality options are NCIS: LA and a pair of new Fox comedies), time to start figuring out the DVR dilemmas for the fall, and it looks like every night at 8 offers interesting choices (while 10 PM is something of a wasteland, particularly on Wednesday, with all three networks trying to launch new legal dramas).
  • Monday (Chuck v. HIMYM/Rules of Engagement v. Dancing With The Stars v. House v. 90210)--Chuck obviously gets top priority, but those with dual tuners have a tougher call. HIMYM has had an off season this year, and pairing it with the execrable Rules of Engagement isn't a plus. Given that it streams the following day, while you have to wait a week and a day for Hizzy on Hulu (due to the USA repeat contract, I believe), House may dislodge HIMYM from priority on the DVR. (And the news that we'll be Thirteen-free for a chunk of the season is nothing but goodness.) My understanding is that 90212.0 got much better this season with a new showrunner, but dropped the nostalgia elements that were likely this audience's primary interest, and are dropping adults pretty much entirely.
  • Tuesday (Biggest Loser v. No Ordinary Family v. NCIS v. Glee v. One Tree Hill)--Again, this is a battle for second priority after Glee. NCIS will assuredly rule the roost in total viewers in the fall at least, but given that half the cast is still negotiating and the show works because of the easy chemistry between the cast, I may drop it for Ordinary Family. I'm surprised the CW is sticking One Tree here, given that it and Glee would seem to be directly competitive--maybe they're hoping that the timeslot finally kills this cockroach of a show.
  • Wednesday (The Middle/Better Together v. Survivor v. Undercovers v. Lie To Me v. Top Model)--Actually, this is an easy call for me for Undercovers, and I may give Better Together a shot, but those who are fans of reality have a tougher fight, with Jeff Probst taking on Miss Tyra--both shows are going to have to show that they are doing one of their "good" seasons, rather than yet another rehash of the same thing we've seen too many times before, in order to prevent audience defection. The couple of times I've watched Lie To Me, I've enjoyed it, but it got a marginal renewal in what has turned into an exceedingly tough timeslot and will have a new showrunner--seems like it may not last all that long there.
  • Thursday (Community/30 Rock v. Big Bang Theory/*#@! My Dad Says v. My Generation v. Bones v. Vampire Diaries)--Bones and Vampire Diaries will continue to appeal to their audiences, which I'm not a part of, but the other 3 networks are all making an interesting play. If word on My Generation is strong enough, I may give it a shot over CBS's traditional sitcoms, but if it's not so good, I'll try some Shatner.