I REMEMBER HATING YOU FOR LOVING ME: What do we like around here? Maps? Sure! Games? Absolutely. Urban planning? Well, I'm sure many of us. But what do we really, really like? A good time sponge!
Ladies and gentlemen, Mini Metro. (The expanded version is worth the $6.99)
Saturday, August 30, 2014
SPIRITED: The Academy of Motion Picture Arts and Sciences will award honorary Oscars this year to Hayao Miyazaki, Maureen O'Hara, and French screenwriter Jean-Claude Carrière, and present the Hersholt Award for humanitarian work to Harry Belafonte. For the fourth straight year, no Thalberg.
Posted by Adam at 8:20 AM
Friday, August 29, 2014
I CALL LEDGERMAN! At GenCon a few weeks ago, the first ever full game of The Cones of Dunshire was played.
Posted by Matt at 11:54 AM
JUST ONE MORE THING: A reader writes:
I have been torn between guilty and unabashed in loving the MEtv Sunday night airings of Columbo - caught the pilot a month or so ago (though the character had appeared in other places and so was pretty formed, though Falk looked so young and less rumpled) and since then they've been doing selected episodes - and good ones, ones with either great guest stars or interesting plots. It's great how they enjoy ripping apart cliches - recently there was a confession triggered by a piece of evidence ridiculously being found in an item that had been moved around a bit and which anyway had only the slightest chance of being there and I was incredulous - in the denouement Columbo admitted he had planted it.
Anyway, was going to urge you to post next weekend when they air the one with Johnny Cash (directed by Nicholas Colasanto!) The ads make it clear I am several decades younger than the target market, but oh so good.
Posted by Adam at 10:36 AM
THE FUDGE CAPITAL OF THE WORLD: Assigning an official dessert to each of the 50 states.
Posted by Adam at 7:31 AM
Thursday, August 28, 2014
Wednesday, August 27, 2014
FIRE BAAAAD! There can never be enough appreciations of Phil Hartman:
“There is no Costello without Abbott,” explained Mandel, who went on to become an executive producer of Curb Your Enthusiasm. “They called him Glue for different reasons, but one of them was you can’t have that Matt Foley character if Phil Hartman isn’t there to be the dad reacting off it.”
They also called him the Glue for his willingness to cloak his own personality — which perhaps came easy to Hartman. It’s the defining trait of SNL glue guys, starting with Aykroyd and running through Joe Piscopo, Bill Hader, Jason Sudeikis, and Taran Killam. “That’s the way he was like Danny more than Belushi,” said Rosie Shuster, a former SNL writer. “He poured the Phil out and morphed into the madman inside of his character.” ... What the ’70s SNL offered in danger and snorting ambition, the early Hartman years matched with consistency and professionalism. In Carvey, Hooks, and Hartman, the show had three actors who might have time-traveled from a ’50s sketch show, and a writing staff that was happy — after updating a few references — to treat them as such.
Posted by Adam at 11:22 PM
NORDIQUE RESURRECTION? Greg Wyshynski passes along word that by 2017, the NHL may expand to Las Vegas, Seattle, Quebec City, and a second Toronto franchise.
Posted by Adam at 11:06 AM
Tuesday, August 26, 2014
HEROES ON A HALF-SHELL (TURTLE POWER!): The AV Club helpfully points out that a wide range of phrases fit the metric pattern of the Teenage Mutant Ninja Turtles theme song, so if you want to write a song about the Windows Vista Startup Process or the Russian Women's Fascist Movement, you've got a starting point.
Posted by Matt at 3:52 PM
HE TOOK AN EARLY FERRY: An ABC special on September 7 will finally try to settle a debate that had raged on in my household since the dawn of time: What is the best Schoolhouse Rock song of all time? The answer of course is not a perennial favorite like "Conjuction, Junction" or "I'm Just a Bill", but "A Noun Is a Person, Place or Thing". (Feel free to make the case for your favorite in the comments.)
Posted by AlexG at 2:53 PM
PULL MY FINGER: When there's intellectual property litigation over a farting hippo puppet, we'll be there. (And to point out the amusing typo of "Navel Criminal Investigation Service" in Paragraph 13.)
Posted by Matt at 12:19 PM
I AM GROOT: Todd VanDerWerff criticizes the emotional emptiness of Guardians of the Galaxy:
[M]ost traditional narrative storytelling is about characters changing, or at least revealing more of who they really are. How do we see Quill change over the course of Guardians? What more do we learn about him that we don't already know? And why does he become a man worthy of the title "Guardian of the Galaxy," beyond simple plot logistics?
This is not to pick overly much on Guardians, which is a ridiculously fun film that very much deserves its title of the summer's biggest domestic hit. It's simply to say that when the film falls short, it falls short on something very basic and primal, which may be what makes it ultimately feel so disposable.
Posted by Adam at 9:00 AM