Tuesday, April 20, 2010

DEAR LEE DEWYZE, PLEASE DON'T FORGET ABOUT US. SIGNED, THE WHORES ON SEVENTH AVENUE: Inspirational, celebrational, muppetational? Idol was all of that tonight, and in order from most awesome to the least:
Crystal: I don't know to what to attribute her emotional display at the end of "People Get Ready," but she had won the night before that. Pantheon, no, but damn good. As Dan notes, MamaSox is "the best pure singer and the gap is wider than it has ever been between the best and second best in any season since Fantasia's win."
Lee: Big gap between #1 and #2, in part because of the rather significant edits to the text, and it was good but not that good. Sincerity is important, but it does not by itself make you a winner.
Tim: Yeah, I said it. I know he doesn't have much of a range, but he stayed within it well and gave a solid performance, even it wasn't great singing. I'd like to think my touting him is separate from Theory #2 on improving performers rising above the always-solid as the competition progresses, but there's some conflict here.
Big Mike: Best rendition of a Spider-Man song in show history. He's got a higher ceiling than any other guy in the competition, I think.
Siobhan: Big gap again between #4 and this one. It had its moments, but she needs to be singing rock and roll, not this weak cartoon crap.
The Outlaw Casey James: One of my basic rules of Idol song selection is to be wary of songs written to be sung in harmony. There's just no great way to sing "Don't Stop" as a solo male, and he didn't.
Aaron: Automatic point deduction for selecting a song written by an artist who has a mural in his house showing him playing basketball against the Tasmanian Devil and who may have used that house in videotaping himself urinating on minors for his own sexual gratification. Beyond that, it's a shitty song that the house muppet warbled badly.