Thursday, June 26, 2008

"MASTERPIECE": Yes, that's what they're saying about WALL-E, and I believe that my "oh, when is the good culture coming?" whining is over. Joe Morgenstern, WSJ:
The first half hour of "WALL-E" is essentially wordless, and left me speechless. This magnificent animated feature from Pixar starts on such a high plane of aspiration, and achievement, that you wonder whether the wonder can be sustained. But yes, it can.... [T]he film stands as a stunning tour de force. The director has described it as his love letter to the golden era of sci-fi films that enchanted him as a kid in the 1970s. It is certainly that, in hearts and spades. Beyond that, though, it's a love letter to the possibilities of the movie medium, and a dazzling demonstration of how computers can create a photorealistic world -- in this case a ruined world of mysterious majesty -- that leaves literal reality in the dust.... I must drop my inhibitions about dropping the M word -- especially since I've already used magnificent -- and call "WALL-E" the masterpiece that it is.
Ken Turan, LA Times:
Daring and traditional, groundbreaking and familiar, apocalyptic and sentimental, "Wall-E" gains strength from embracing contradictions that would destroy other films. Directed by Pixar stalwart Andrew Stanton, who co-wrote and directed the Oscar-winning "Finding Nemo," "Wall-E" is the latest Pixar film to manage what's become next door to impossible for anyone else: appealing to the broadest possible audience without insulting anyone's intelligence.

Part robot romance between two mismatched mechanized marvels, part science fiction saga with deliberate echoes of Stanley Kubrick's "2001," this may be the first animated feature to pivot around novelist E.M. Forster's famous imperative, "Only connect."
EW's Owen Gleiberman:
There's a way to measure how well an animated film takes over your imagination. Do you forget, during the movie, that you're even watching animation? Do the textures and settings, the fantasy-land characters, become — for lack of a better word — real? That, or something close to it, is what happened to me during WALL-E, the puckishly inventive, altogether marvelous new digitally animated feature from Pixar.... [E]ven as the movie turns pointedly, and resonantly, satirical, it never loses its heart. I'm not sure I'd trust anyone, kid or adult, who didn't get a bit of a lump in the throat by the end of WALL-E, a film that brings off what the best (and only the best) Pixar films have: It whisks you to another world, then makes it every inch our own.
The NY Post's Lou Lumenick says that "Some day, there will be college courses devoted to this movie." I believe I know what I'm doing this weekend.

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