Wednesday, April 14, 2010
DOLPHINS ARE JUST GAY SHARKS: Even though we briefly got the return of Ben Linus and John Locke as high school teachers, we also need to talk about the return of Glee. Sure, there was a lot of solid stuff--Sue's plot with Brittany and Santana (and their inability to execute the plot), pretty much every moment Idina Menzel and/or Jonathan Groff were on-screen, and about half of the musical numbers ("Hello," "Gives You Hell," "Highway To Hell")--but I was left a little flat. Yet another Finn-Rachel plotline repeating pretty much every variation we've seen before, and relegating the rest of the cast to the background? Over-reliance on Cory Monteith's blatantly auto-tuned vocals? ("Hello, I Love You" was not the best choice for the first musical number in the episode, right?) Confirmation that Teri isn't gone, but without any narrative progression for her? Let's get a narrative train rolling, OK?
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