Friday, March 4, 2005

YOU COULD SEE THAT PIERRE DID TRULY LOVE THE MADEMOISELLE: In a generally negative review of Be Cool, Roger Ebert makes the following curious point about a Travolta/Uma dance scene in the movie:
Quentin Tarantino's Pulp Fiction knew that Travolta won the disco contest in Saturday Night Fever. But Tarantino's scene didn't depend on that; it built from it. Travolta was graceful beyond compare in Fever, but in Pulp Fiction he's dancing with a gangster's girlfriend on orders from the gangster, and part of the point of the scene is that both Travolta and Thurman look like they're dancing not out of joy, but out of duty. So we remember Fever and then we forget it, because the new scene is working on its own.

Now, I always thought the point of the scene was that both Vincent Vega and Mrs. Mia Wallace were both already wasted on heroin (but didn't know the other was), and that their dancing was, as a result, just ridiculously funny as their tried to twist through their drug-induced haze.

Or am I wrong, and Ebert right, as I imagine often is the case?

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